denzel curry ultimate (digital ethos trap remix) (i am da one)

Droney synths colour the harp sound on some tracks, giving a moody soundtrack feel to certain pieces.

Mark: 2020 album from experimental LA harpist Mary Lattimore. It is all very pleasant without presenting many challenges to the listener a languid listening experience. The result is a deliberately messy, hazy freewheeling album. So big open piano chords and chilled vocal harmonies to the fore. Neil: Aaron Dessner of The National and Justin Vernon of Bon Iver have joined forces before, this new project sees them playing to their strengths. There’s a shared musical aesthetic at play in the collaborative network of all these musicians, and if you like the works of their individual bands, you’ll find comfort in the dreamy, immersive electro-acoustics on display here. Guest performers include Fleet Foxes, Sharon Van Etten & Folk-mode Taylor Swift. More mellow acoustic alt-folk/pop with looping arrangements and touches of keys and electronics, a bit more straight ahead than their more experimental debut. This is their 2nd album under that moniker, after 2018’s S/T effort.

Mark: Big Red Machine are the National’s Aaron Dessner and Bon Iver’s Justin Vernon. How long do you think it’s gonna last? / Big Red Machine Do we actually know anything about new music? Can you encapsulate an entire album in just a couple of lines? Are we just too old to understand what most of this music is banging on about? Every month my colleague Neil and I cast our eye over the new material we have been buying for the Music collection at our CBD Te Awe library, and pick out some interesting titles across a range of music genres to review. I’m Mark, the Music & Film Specialist at Wellington City Libraries (I also run the Libraries’ Wellington Music Facebook page).

Denzel curry ultimate (digital ethos trap remix) (i am da one)